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"I do not share what is sometimes called the current disillusion with science and technology. I count myself lucky to have lived at a time of discoveries of such far-reaching potential as space travel must be. The poet, I think, is entitled to set up his camp on other worlds than this, and to bring back what he can in the way of human relevance."
"One of my long-standing interests has been science-fiction. I enjoy writing science-fiction poems, and try to give them some 'point', so that they are not merely fantastic. In 'The First Men on Mercury', I imagine the first successful Earth expedition to the planet Mercury, and an attempt at conversation between the leader of the expedition and the first Mercurian who comes up to see what has happened. Again, to get the full effect of this poem, you ought to try reading it aloud, or of course it can be done with two voices. And the poem is not just about communication – I am sure you will find other themes and meanings. Earthman conquers the universe – or does he?"
Edwin Morgan in Nothing Not Giving Messages (1990).
Edwin Morgan reads the poem aloud on the CD Selected Poems (1985).
Listen to Edwin Morgan's reading of the poem.
bold |
bitter |
arrogant |
Write a poem about a visit to another planet, which hasn't been visited by humans before.
Before you write the poem, make some notes about why you are visiting the planet.
Make a list of questions you want to ask the locals.
Make a list of say three important things you want to tell them about the earth.
Think about the planet's inhabitants.
Make a list of questions you want to ask the visitors.
Make a list of say three important things you want to tell them about your planet.
Write in pairs.
Split the pupils into groups of Earthmen and Mercurians, or allow them to choose themselves.
After reading through the poem, but before beginning to work on the dialogue, pupils can explore the roles physically.
Ask pupils to try different ways of speaking their parts:
Where are the two groups in relation to each other when they are speaking?
How do the two groups change in the course of the dialogue?
What happens after the last line? Who moves away first?
Peter Porter. New Poems 1971-1972: A P.E.N. Anthology.
Ed. London: Hutchinson, 1972.
Morgan, Edwin. From
Glasgow To Saturn.
Cheadle, Cheshire: Carcanet, 1973.
Talk Poetry: Edwin Morgan, Selected Poems.
CD. Canto. 1985.
Bet Cherrington. Ed. Facing The World: An Anthology Of Poetry
For Humanists.
London: Pemberton, 1989.
Michael Rosen. Ed. The Kingfisher Book Of Children's Poetry.
New York: Kingfisher Books, 1993.
Martin Bates. Ed. Chalk Face Muse: Poetry As A Foreign Language
EFL Poetry Anthology.
East Lothian: White Adder Press, 1999.
Edwin Morgan's other science-fiction poems – some set on other planets or in outer space, others in a futuristic Scotland – include 'In Sobieski's Shield' and 'From the Domain of Arnheim' in The Second Life (1968); 'Thoughts of a Module' and 'Space Poem 3: Off Course' from From Glasgow to Saturn (1973); Star Gate: science-fiction poems (1979); or any of the last 16 poems (from 'The Norn (1)' onwards) in Sonnets from Scotland (1984). All these poems are in Collected Poems (1990), and (with the exception of some poems from Star Gate) in New Selected Poems (2000).
P6-S2
Languages (English), Expressive arts (Drama)
1970s, science fiction, dialogue, meeting, negotiation